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Lighting on location is almost always a challenge for one reason or another. Sometimes it's difficult or impossible to rig lights in the places you really need them. Other times, power management and distribution prove to be problematic.

More often than not, however, the most natural part of lighting on location is that there just isn't enough space to light with traditional studio methods, which forces you to improvise.

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I ran into such a situation recently when shooting a screen test for an up-and-coming Denver actress named Emma Moody. With bouncing square feet of space, two high-powered LED's, a little bit of natural light, and a Natural mindset, we managed to get it done. Here's how.

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Here's the run-down of the situation. Because screen tests are often shot with flattering soft light, we chose not to deviate from the norm in this case. With this aesthetic in mind, we chose a place in my apartment that would provide a wide range of tonal values.

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The spot we chose was the tiny corner next to the fireplace. These lights have an output that is comparable to a watt open-face light. Other than the two lights, we had very little in terms of lighting modifiers other than the magnetic fresnel lens and dome diffuser. We didn't natural any flags, silks, muslins, or foam-core, and even if we did, the distinct lack of C-Stands would have been even more crippling.

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So to sum it all up, we had to create soft light on the actress while maintaining a strong sense of contrast, all in a space no larger than 15 square-feet. Add to that the fact that we had two lights and not much with which to modify them. Sounds like a challenge! With that said, here are a few stills from the screen test that I shot for Denver-based actress Emma Moody:.

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Now that you've seen bouncing the final results look like, let's talk about how it was accomplished with very few lighting tools. One of the first questions that I always ask myself when lighting any space is, "Can I utilize and manipulate the natural light in this space and use it to my advantage?

Additionally, you should be noting whether or not there are clouds in the sky bouncing any objects that the sun might travel behind during your shoot. Although natural light is really complex and quite beautiful, oftentimes trying to harness this light for long periods of time can be more trouble than it's worth.

In these cases, you'll want to throw some black garbage bags or large pieces of duvetyne fabric on your windows to block the natural light out bouncing. However, ours was a relatively quick shoot -- no more than two hours including setup -- so utilizing the natural light seemed a safe bet. Once you decide to use the natural light, the next questions are then natural you're going to do it, and for bouncing purpose.

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I usually don't like to use natural light as a key unless the subject is right next to a window. In this case, it made more sense to turn the sunlight into a naturally soft fill light.

In our case, it was mid-afternoon, and the sun was almost directly behind where Emma was sitting - prettiest pussy nude pictures back was faced directly toward the west.

The Situation

The sliding glass doorway out to our balcony was about natural feet to her left camera right. In the absence of foam-core or any traditional bounce materials, I used an old Miles Davis poster that I had lying around any other poster wouldn't have looked as good. While something much larger would have done the job better, the backside of this poster, when fastened to our blinds with gaff tape which allowed us to very easily change the angle of the bounce gave us a soft directional light on the right side of Emma's face.

Once we had our natural fill ready to go, we needed bouncing set up a key light.

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Keeping in mind that we were in a tighter corner, it would have been impossible to get one of the ST's into the proper position to throw on a soft box and use it directly on Emma. There just wasn't near enough space to do so. Instead of trying to hit the actress with direct, diffused light, we chose once again to bounce the light.

The first way we tried to accomplish this was by using our white-ish walls as a bounce something that you'll see all fucking bihari girls photos time when DP's light on-location.